Regarding Us is a drama-comedy that traces the delicate intersections of identity, faith, and found family. Written and directed by David Beck and Jennifer Bobbi, the film follows the aftermath of a life-altering revelation for a transgender woman in New York City. Set against the backdrop of religious institutions and fractured households, the narrative dives into themes often left untouched in mainstream cinema—especially when it comes to the struggles faced by the LGBTQ+ community within deeply conservative environments.
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At the center of the story is Veronica Hathaway, a trans woman who is fired from her job at a Catholic school after her identity is exposed. Emotionally unraveling, Veronica contemplates the darkest of outcomes. Her world begins to shift when she meets Isabel, an inquisitive eight-year-old whose family life is unraveling as well.
Isabel’s father, Denny, a struggling actor recently abandoned by his husband, forms a connection with Veronica after delivering a prank telegram. This unlikely friendship opens the door to healing, for both adults and children. Meanwhile, Isabel befriends Kyle, a newcomer to her school from a conservative household. As the children’s bond grows, it stirs tensions at home—particularly with Kyle’s strict mother and abusive older brother—challenging everyone’s understanding of identity, family, and acceptance.
One of the film’s positives in how it portrays its characters with honesty and dimension. Rather than leaning into stereotypes or melodrama, the story presents its central figures—particularly Veronica—with quiet resilience. The chemistry between the ensemble is palpable, especially in the tender moments shared between Veronica and Isabel. These interactions feel lived-in, giving the story emotional weight without overplaying its hand.
The film’s emotional depth is carried by its performances, particularly Alexandra Grey, who brings Veronica to life with grace and restraint. Her portrayal is layered—never asking for pity, but revealing pain, faith, and quiet endurance. Andrea Rosa Guzman, as Isabel, delivers a performance brimming with charm and heart, while Hudson Paul captures Kyle’s confusion and fear with heartbreaking subtlety. Their scenes together are the film’s most tender, capturing the raw honesty that often escapes adult characters.
Directors David Beck and Jennifer Bobbi handle the material with a confident, empathetic touch. They resist the urge to letting conflict unfold through natural dialogue and real-world consequences. The film doesn’t rely on grand set pieces or heightened melodrama. Instead, it finds tension in things left unsaid—a phone call gone unanswered, a child’s innocent question, a parent’s quiet withdrawal. These moments land with quiet force.
Regarding Us is ultimately a story about bridges—between generations, between belief systems, and between people who’ve been told they don’t belong. While some narrative turns feel a bit convenient, the sincerity of the performances smooths over those edges. The film’s strength lies in its message: that healing begins with conversation, and change with compassion. It’s a gentle but firm reminder that dignity and love should never be conditional. Even in a world still learning how to listen, Regarding Us makes the case that understanding begins with simply seeing each other—fully and without judgment.
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