First off, I wanted to root for Argylle so hard. Matthew Vaughn (X-Men: First Class, Kingsman and Kick-Ass fame) is a talented filmmaker who has crafted some great action flicks, and I was genuinely looking forward to a new, original action movie from him. However, this was not it.
Related: “Sundance Film Festival 2024” Movie Reviews
Let’s begin with what worked in Argylle, the positives. The cast was quite diverse overall, but the leads, especially Sam Rockwell, delivered solid performances. Bryan Cranston showcasing his villainous side added a fun element. The action, with Vaughn’s classic fast-paced editing and tight-fight choreography, had its moments. Although some action sequences felt a bit sloppy, there was a palpable tension. While most of the fun sequences were in the trailer, there was one utilizing colorful imagery that stood out positively.
However, beyond these positives, the movie is a hot mess. Its tone is all over the place. Most of its cool moments and even some of the reveals are already in the trailer, which has been unavoidable in recent months. Speaking of twists not shown in the trailers (except for one), I pretty much guessed them. The film wasn’t particularly clever in hiding them; it was one of those movies where I’d turn to my buddy and predict the next development, only to see it unfold as expected.
Related: Best Thriller Movies on Netflix You Shouldn’t Miss!
The comedy is erratic, with some hits but mostly misses. The film’s aesthetics are a let down, featuring boring shot composition and subpar effects, reaching a point where it becomes distracting. To add to that, the ending is pretty awful, and the mid-credit scene is just embarrassing. While it’s a fun movie to mock with friends for its shortcomings, it does have occasional moments of “okay, that was cool.” However, Argylle falls far short of the expectations one would have for a Matthew Vaughn film.
Follow Billy (the Author) on IG – @teen.reviews.movies
Final Destination: Bloodlines marks the return of the cult horror franchise, helmed this time by… Read More
In our digital and video age, more musicians are mixing cinematic strategies to sell their… Read More
A feminist sex robot questioning her own existence might sound like the setup for satire,… Read More
József Gallai’s The Final Frame captures the chilling descent of obsession through the unforgiving lens… Read More
Sometimes the most gripping stories come from personal experiences, and Bound is no exception. Written… Read More
József Gallai's A Stranger in the Woods delves into a haunting world where nightmare-fueled horror,… Read More
We use cookies, just to track visits to our website, we store no personal details.
View Comments