Napoleon Review: A Narrative Disappointment!

November 26, 2023December 9, 2023 Surya Komal 0 Comments English Movies, Hollywood, Hollywood Movie Reviews, Hollywood Movies, Joaquin Phoenix, Napoleon, Ridley Scott, Tahar Rahim, Vanessa Kirby

With eager anticipation fueled by Ridley Scott’s directorial work, coupled with Joaquin Phoenix’s wise film choices, Napoleon held the promise, at least for me, of a gripping war epic. However, regrettably, this movie falls short, lacking the vibrancy and fervor typical of such narratives. Despite Scott’s iconic past works like The Martian and Gladiator, this portrayal of Napoleon Bonaparte’s ascent lacks the anticipated dynamism, rendering it a somber, lackluster rendition.

Throughout Napoleon, the film attempts to chronicle pivotal events in the life of the French leader, yet falters in its execution. A pervasive dullness surrounds the narrative, making it a disjointed experience. The consistent leaps across timelines curb any emotional depth, resulting in a detached compilation akin to witnessing an anthology of Napoleon’s greatest hits. Jarring transitions within scenes further compound the confusion, leaving characters to inexplicably shift their motivations within mere minutes and also leaving an overwhelming sense of narrative gaps and inconsistency.

“EPIC”—Empire Magazine.

Napoleon is exclusively in theaters. pic.twitter.com/JAoiTobzTw

— Apple Original Films (@AppleFilms) November 23, 2023

Moving on to the performances, Joaquin Phoenix navigates the complex nuances of Napoleon’s character well, embodying the leader’s cunning, awkwardness, and peculiar fixation on his wife, Joséphine. While not a standout performance, Phoenix still manages to immerse sufficiently into the role, capturing Napoleon’s essence convincingly.

Conversely, Vanessa Kirby emerges as the top performer, commanding the screen with finesse and charm. Her portrayal of Empress Joséphine encompasses myriad intricacies, demanding a formidable performance, and Kirby delivers flawlessly, effortlessly breathing life into her character with a captivating presence.

Also, Dariusz Wolski’s cinematography shines in the film, capturing beauty in every frame. The production design, illuminated with old-world French architecture, enchants the eye. The camerawork splendidly captures the grandeur, infusing the film with the scale befitting a big-budget war epic, especially during the enthralling battle sequences.

Overall, Napoleon is a disappointment, attempting to cram an abundance of information into its 160-minute runtime. Sadly, this ambitious endeavor results in a choppy, narrative tangle, culminating in a lackluster cinematic experience. Nevertheless, the film’s visual allure on the big screen is undeniable, boasting captivating aesthetics, particularly in its riveting war sequences. While it offers a taste of Ridley Scott-esque action, the film ultimately falters in its narrative delivery, failing to weave a engaging story.