Kesari Chapter 2 Review: A Statement Film!

April 24, 2025April 30, 2025 Surya Komal 1 Comment Akshay Kumar, Ananya Panday, bollywood, Bollywood Cinema, Bollywood Movie Reviews, Bollywood Movies, Hindi Movies, Kesari Chapter 2, R. Madhavan

Based on one of the darkest moments in India’s freedom struggle, the Jallianwala Bagh massacre, Kesari Chapter 2 is a gut-wrenching reminder of colonial brutality. From its harrowing opening sequence, which re-creates the infamous 1919 massacre with unflinching intensity, the Karan Singh Tyagi directorial evokes a deep sense of grief and injustice that lingers well beyond the final frame.

At its core, this is a courtroom drama where justice—however delayed—is finally pursued. The film focuses on the real-life hero, C. Sankaran Nair, who challenged the British Empire in court, demanding accountability for General Dyer’s actions. Akshay Kumar portrays Nair with restrained intensity, bringing both dignity and emotional depth to a character driven by patriotism and moral outrage. It’s a role that suits Kumar perfectly, and he delivers a performance filled with gravitas and passion.

R. Madhavan, stepping confidently into a more morally complex role, plays General Dyer’s defender. His devilish charm contrasts sharply with the grim proceedings, offering a glimpse of the actor’s range as he embraces characters with shades of grey. Ananya Panday, as a fierce young advocate fighting alongside Nair, surprises with a sincere and compelling performance, which is out of her comfort zone, proving she has more to offer than what naysayers may have previously assumed and said.

While Kesari Chapter 2 moves at a measured pace, and certain scenes are emotionally taxing to watch, this deliberate storytelling works in its favor. It forces viewers to sit with the discomfort, to confront history rather than look away. This is not a film made for escapism—it is made to remember, to educate, and to honour. Though Britain has yet to formally apologise for the massacre, this film stands as a cinematic act of resistance against forgetting. It’s not just a film—it’s a statement. And for that reason alone, it deserves to be seen.