A/way (2024) Review: Leaves a Lasting Impression!

Blending documentary-style realism with a deeply personal narrative, A/way is a meditative indie drama that explores loss, self-discovery, and the unexpected ways we find meaning. Director Derek Shane Garcia crafts a visually rich and emotionally resonant story about Anna, a travel journalist sent to Martinique following a profound personal tragedy. As she navigates her assignment, Anna finds herself drawn to the lives of locals, forcing her to confront her own uncertainties.

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At its core, Director Derek Shane Garcia carved A/way as a meditation on grief, self-discovery, and the search for meaning. For example, Anna’s journey to Martinique isn’t just about work—it’s an escape, a confrontation, and ultimately, a turning point. Through her interactions with locals, she begins to process her loss, question her direction, and find clarity in unexpected moments. Likewise, the film gently explores the idea that healing isn’t linear, but a journey shaped by human connection.

Furthermore on the positive side, García’s non-linear narrative structure and the well-written screenplay mirrors Anna’s emotional state, seamlessly weaving together past and present in a way that feels both organic and deliberately fragmented. Moments of stillness allow the audience to sit with her grief, while documentary-style interviews add a layer of authenticity. Though this approach may feel disjointed at times, it ultimately enhances the film’s meditative tone. Emotionally, the film is deeply resonant, portraying loss not as a singular event but as an evolving process. Anna’s journey is relatable, and her quiet transformation is both subtle and powerful, offering a sense of closure, hope, and the possibility of new beginnings.

Moving on to the performances, Rosie McDonald delivers a heartfelt portrayal of Anna, capturing her quiet turmoil with authenticity. She balances vulnerability and strength, making Anna both relatable and deeply human. Her subtle expressions and natural delivery further enhance the film’s introspective tone. Visually, the film seamlessly blends documentary realism with narrative storytelling. The use of non-actors lends an organic quality, while Martinique’s stunning landscapes, natural light, and Liam Lee’s intimate cinematography serve as both a backdrop and a metaphor for Anna’s emotional state.

A/way , from Derek Shane Garcia, leaves a lasting impression not through grand revelations, but through its quiet, introspective moments. It lingers in the spaces between dialogue, allowing emotions to surface naturally. The film doesn’t rush to provide answers, instead trusting the audience to sit with Anna’s journey and draw their own meaning. By the time the credits roll, it’s less about where Anna ends up and more about the small yet profound shifts that happen along the way—just like in life.

‘A/way’ Rating – 3.5/5

Surya Komal

It is what it is.

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