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Blog posts : "ratsasan movie review"

Throwback Thursday: Ratsasan [Review]

Verdict - "One of the Best!" / Rating - 4.5/5

For the first time in a long time, I really did not want a movie to end. A finely crafted suspense thriller, Ratsasan (2018), will have you at the edge of your seat. Right from the beginning, the film starts off with a murder and the pace of the film is steadily kept on the accelerator all the way through. The first half of the film sets the story and there are some speed breakers in the form of romance scenes and songs. However, the second half of the film is electric and this is where the audience is bombarded with intense nail-biting moments. The last half an hour of the film holds the biggest surprise and the way the scenes were so expertly staged, you could actually compare this to a Hollywood film.

One of the film’s strengths lie in the background score department. Ghibran’s music for Ratsasan is excellent. He manages to elevate the film to a god-tier level with his eerie and spine-chilling BGM. The cinematography is on point as well. The film had both dark and light sequences that was well shot and edited. But the biggest strength for me, was the story itself. The director has not taken the audience for granted. He has gone through every small detail with extreme care and he presented an antagonist who is methodical and intelligent and somewhat unbeatable. Additionally, the young protagonist’s character development is a joy to watch and as the audience, you can’t help but silently urge him to move a little faster or think a little harder to crack the case.

The only problem I had with the movie was that I found Vishnu Vishal’s (the protagonist) acting just passable. The lack of variety in terms of facial expressions and body language showed in certain emotional scenes that Vishnu could have busted wide open by emoting a bit more. However, this film is a stepping stone for the actor and it will be interesting to see where he goes from here.

-An Editorial by Siddharthen R (@cheeeekyponnama)
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