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Blog posts : "abhirami"

Throwback Thursday: Virumaandi [Review]

Verdict - "Brilliant!" | Rating - 4.8/5

The Rashomon effect (named after Kurosawa’s Rashomon) occurs when the same event is given contradictory interpretations by different individuals involved. When employed well, it can really elevate a film. Enter Virumaandi (2004), a Kamal Hassan directorial that revolves around a farmer who gets involved in a clan feud back in his village. 

When a film decides to use the Rashomon effect as the selling point, the only way to do it justice would be to choose the correct cast members to enact their own perspective in their own style. This really helps to divide and conquer audiences and get them involved in the film as well. I don’t think I have to talk about Kamal Hassan and his performance. I’ve mentioned more than once about his intensity and the performance levels he brings to a film. 

Who I’m more impressed with is Pasupathy and his interpretation of the character, Kothala Devar. Pasupathy more than often outshines Kamal Hassan with his strikingly devious and menacing demeanour. Virumaandi is not an easy film to make. It is a technical knockout and the quality of excellence in this film comes with two thumbs up. Showing the same incident with Two different point of views can always end up boring the viewer, but the director has managed to pull it off by introducing new details and an interesting narration process that is well executed. Virumaandi is a highly violent film. 

There’s blood and mutilations and severed bodies all over but what’s interesting is how the film used a whole lot of violence to preach about non-violence. Once again, Kamal Hassan has mixed folklore with the themes in his movies and Virumaandi, another name for lord Bhrama, is taken to life in art form by Kamal Hassan. The tragedy that surrounds Both Virumaandi (the deity and Kamal Hassan’s character) are stuck in a conundrum where they can live a physically freed life but in a hopeless future and it is reflected very well from the start of the film.

-An Editorial by Siddharthen R (@cheeeekyponnama)
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