Menu

Just for Movie Freaks

Movie Reviews & Editorials

header photo

The Logic of Bollywood - Exposing the Clichés!

Bollywood has always tried to make the perfect Biryani of all times. Yes, it needs all the spices and masala, it needs strong characters like the chicken and rice obviously, it needs a lot of time to marinate all the stuff and concentrate on how to place the final touches of coriander. Although, the quality is based on the brand name and not its actual worth, mostly it goes bland and sometimes causes diarrhea. The spices used for a Bollywood movie are an overwhelming mix of emotions, drama, attempt at comedy, foreign locations and a lot of clichéd dialogues. It is sad to see the clichéd dialogues used in commercial movies as a cliché! Remember 'Ae Dil He Mushkil'? Using your own movie’s plot to do another movie and using the same dialogues and songs, come on!


To make a great movie in Bollywood, you need a Khan or a Kapoor obviously (or a nephew and niece will just do). It is only once in a decade or so that a movie without a Khan or Kapoor as the lead role or their production house makes it big. No matter how beautiful the storyline is, there needs to be a mandatory item song by a famous model turned actress and the only novelty at times they bring in, is by adding a male item song instead of a female celebrity and call it unbiased.

The spices are always too strong for India’s audience’s sensitive digestive system and are thrown in roughly at times when they are not needed, causing questionable hiccups. A Hindi cinema can flop at the box office and yet have songs running at the top of the chartbusters that way at least the actors and actresses, singers and choreographers get the limelight even if the directory and the script couldn’t; so it is a win-win situation after all.

Lately, the logic of Bollywood has moved towards making biopics of great personalities and the hardships they faced during their rise as a star. It definitely feels fresh to view commercial actors and actresses’ in non-glamorous roles, getting their hands dirty by actually working hard for their role like 'Mary Kom' and 'MS Dhoni'.

It is an old trick to make a movie with a designated target audience based on a particular culture and highlighting the most stereotypical aspect of the said culture in an attempt to woe them but alas! Mostly it gets them on the wrong side and a controversy erupts harming sensitivities and calls for the severed nose of Padmavati! Sorry 'Padmaavat'!

The controversy helps the movie gain a bigger audience and it is infamously criticized by many (that is a good PR team right there, guys!). While the research team analyses minute aspects brilliantly, like the accent, specific synonymous words and slangs, the color of the bangles and the shape of the bindi worn by the women folk, bringing together two actresses who are each other’s nemesis, the major story plot is thoroughly modified to fit in the Bolly-mould of love/action/emotion/twist *cough Bajirao cough Mastani cough*

However, the audience is not to be fooled so easily. We know when an actor is giving his best shot at acting and we know how deeply the director is involved with his team to bring out their best performances. While an amateur director can be contended with the basic acting of his actors, only a proficient director can get the maximum effort from his team of actors and actresses, making every single shot perfect. We shall keep a thorough check on Bollywood and update you if at all the logic evolves into a better version of itself.

-An Editorial by Anusha Shanbhag
Instagram Profile - @JustMovieFreaks | Twitter Profile - @JustMovieFreaks

Go Back

Comment