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Blog posts : "tom hardy"

Venom - Honest Movie Review

In a nutshell, Sony Pictures is similar to that 'stubborn boyfriend who doesn't seem to have gotten over his ex-girlfriend' and keeps recurring despite multiple missteps. Soon after the 'Amazing Spider-Man' franchise debacle, MCU rescued the much-beloved teenage superhero character with 'Spider-Man: Homecoming', that left both critics and audience spellbound. Sony, on the other hand, still hungry for creating their own money minting superhero franchise, somehow managed to rush out a 'Non-MCU, Spider-Man Universe (Without Spider-Man)', and the first blunder is Venom, which is indeed 'A Turd in the Wind' (no pun intended).

Verdict - "Worse Than a Turd!"

Eddie Brock [Tom Hardy] (who alternates as the junkie cousin of Lois Lane) is a rockstar reporter in town, has a caring girlfriend (Michelle Williams), a simple life and cruises through the streets of San Francisco with a Ducati Scrambler. Soon after his disruptive interview/encounter with billionaire businessman, Carlton Drake (Riz Ahmed), Eddie loses his job, apartment and regrets his frozen food-eating lifestyle until he comes across his monster looking, liver eating, always hungry parasite (brother), Venom.

Loomed with predictability, Venom primarily suffers from its premature writing and storyline issues. The plot jumps from one scene to another, without any throughline, and at a certain point, I found myself deep down in a sh*t hole and stopped paying attention to what's happening on screen. It is a mess ponging with bad dialogue, glaring plot holes and unbelievably dumb scenes which cracked me up a little because of its stupidity. 

The characters do things which will make you go "Wait! Why didn't that happen?" say things which will make you go "That's so dumb!" and take decisions which will make you go "Well! I'm not surprised!" Maybe, I'll be in a situation to accept these stereotypical clichés if you wipe out the entire Marvel Cinematic Universe and the Nolan Batman Trilogy where storytelling and character development were given utmost importance. We live in 2018, in a planet half-wiped out by a Purple God, and bad storytelling is just not tolerable anymore.

Let's talk about the characters, Golden Globe winner and a four-time Oscar-nominated actress, Michelle Williams, did next to nothing in the film as her character only required her to show up at different instances, spit out some terribly-written dialogue and then disappear for the next thirty-five minutes. Riz Ahmed, who is a crowdpleaser in 'Nightcrawler', could've felt guilty playing this bland, mundane antagonist character which we've already seen a million times before. With absolutely zero character work, his character felt like he's planted in the film only to experiment and do evil work and fight the protagonist in the climax in a Last Man Standing match. The other characters were equally worthless in the film as they do and say incoherent things which makes no sense.

However, if you put aside everything negative with the film, the only aspect I can appreciate is the weird bromance between Eddie Brock and Venom. The back-and-forth between them was the only entertaining part of the film, and Tom Hardy is capable enough to make his junkie character likeable. Honestly, I'd much rather see a film of Venom and Eddie hangin' out in the streets of San Francisco instead of the flying sh*t box that we've got.

On the whole, Venom is an atrocity when it comes to writing, and at some point during the film, I stopped concentrating and giving a sh*t. So, if you're one of them who don't care about storytelling and character moments, go watch Venom. Similar to the 'Amazing Spider-Man 2', this film is a gigantic mess, and I still smell the stink whenever I'm thinking about it.

My Rating - 1.5/5 | Grade - D+ (A Hangover!)
-An Honest Movie Review by Surya Komal aka KM (@SuryaKomal)
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Instant Movie Review #22 (Mad Max: Fury Road)

George Miller's - "Mad Max: Fury Road"

Positives:
1) Story
2) Screenplay and Direction
3) Performances
4) Action sequences
5) Practical stuntwork

Introduction: After nearly 30 years of anticipation, Fury Road delivers a high-octane stupefying spectacle in a mind-boggling way and is arguably one of the best action movies made in this decade. 

Story: The storyline is facile and follows the narrative of Max and Furiosa, as they fight for their lives and defy against the evil warlord Immortan Joe. 

Analysis: George Miller's impressive illustration of an astounding action movie with all the death-defying practical stunt work, ruthless imagery, and virtuous emotion enlightens the contemporary cinema about how an action movie should be made. 

Verdict: Overall, Fury Road is the perfect action movie that we've been waiting for years, it is an incredible jaw-dropping experience in a movie theatre that cannot be missed by any chance.

My Rating - 5/5
Grade - (My #1 Recommendation!)
-By Surya Komal aka KM (@SuryaKomal)

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Instant Movie Review #6 (Locke)

Steven Knight's - "Locke"

Postives:
1) Tom Hardy's remarkable performance
2) Exhilarating screenplay
3) Steven Knight's splendid direction
4) Rousing background score
5) Other supporting characters (whom we never get to see in the movie)

Negatives:
1) Story
2) The curiosity to rewatch the movie will never cross your mind.

Analysis: Just imagine the entire movie in a car with only one live character talking on a phone. Sounds boring right?

But! This movie is a complete exception. Locke is an stupendous, edge-of-the-seat drama which demands your attention for every single frame.

Tom Hardy suppressed his role to a great extent, and we actually care and worry about his character alot even though he only welds to a certain set of things throughout the whole movie.

Steven Knight's did a tremendous job, his ability in building up an unusual storyline and narrating it in a fascinating way should be appreciated. The characters and their arguments, every single frame in the movie makes sense and that's pretty tough to deliver in a movie of a different kind.

My Rating - 4/5
-By Surya Komal aka KM (@SuryaKomal)

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